The red and white card is plugged into the Super Nintendo mainframe! BBC’s live hoo-hoo-hoo-hoo!

An early morning show by the British Broadcasting Corporation (BBC) generated a lot of debate among the playing community due to the embarrassing display of game equipment. In the breakfast TV series that was broadcast earlier, Nick Poole, head of the United Kingdom Interactive Entertainment Association (UKIE), presented the presenters, Jon Kay and Sally Nugent, with a set of retrograde games, including ZX81 legend computers, Nintendo Wii and SFC.

The real subject of detonation is a super-engineered host placed in a visible position on the stage, with a red and white machine (FC) ” Super Mario Brothers ” , in a plaque. Nintendo did plan to make the SFC fit for the FC down, but due to the market strategy of sacrilegious bloodbath grabs, Ukkawa, then president of the United States of America, thought that the additional costs of downward compatibility would lead to poor price positioning of hardware, and eventually decided to re-engineer hardware specifications.

“The mainstream channel’s coverage game is great, but the red and white machine card is overloaded? And where’s the 16 largest hostess in history and the highest sales in England — where’s Scarlett’s MD?” After the show, an audience questioned the area. Another netizens said on Reddit, “They should be completely free of themselves and put in a GameCube handle in Nintendo.”

The comment, “I want to report crime!” with hundreds of praises, speaks to the player. “I bet they were going to stick the tape in the Wii,” another player adjoining. More online analysis: “This is either from the white hand of the game, or from the old game cannons, trying to get the entire Reddit community.”

In the face of public opinion, the British Interactive Entertainment Association quickly disassociated itself from this mistake, claiming that the mess of Nintendo equipment was the responsibility of the BBC breakfast studio team, not the director, Nick Pool. One speaker explained: “In the interest of transparency, the display of equipment in the studio is done independently by the programme team, which also handles the mainframe. Unfortunately, we cannot intervene to adjust during the live broadcast.”

This false display of equipment has also aroused the anger of the game industry over its leadership. Chris Melissinos of Amazonic Cloud Services wrote, “This is a scene that looks like I’m cold! I know that UKIE didn’t assemble the equipment, but this is proof of a more serious problem: the public still has a fundamental misunderstanding of video games.”

The BBC was designed to show the rise of the British retrograde game. According to UKIE, the British game market is up to Pound7.82 billion (approximately $71.5 billion RMB), and nostalgia games are playing an increasingly important role in physical sales and game cultural activities.

The British Interactive Entertainment Association stressed that, as Nick said on the show, it is inevitable that the classic old game and the old host are back on track.The retrospective game carries a strong resonance with society.It allows players to relive the old days and share their favorite work with the next generation.

“…Many popular modern games draw directly on the inspiration of retrospect, proving that the history of the game is always shaping the joy of the future.From the iconic street machine to the classic home host, the retrospect game has become a dynamic branch of the British creative economy, which preserves cultural heritage, promotes community activities and provides a more continuous inspiration to a new generation of creators.”

Although a uurlong triggered by a wrong slot in the carcass made the BBC’s nostalgia story somewhat embarrassing, it unexpectedly became a living note that bore witness to the central message that UKIE is trying to convey: the deep roots of a culture of retrogressive games and their vitality are far more than can be summed up by a display of equipment floating on the surface.

This “wrong-in-the-door” wave highlights the place of play as an important cultural heritage and creative industry, and the fact that public awareness of it still needs to be deepened, in the midst of popular debate and industry in the playing community. In the future, as the light of the classic game continues to shine on the path of modern creation, one may recall that even a small glitch error contributed to a different discussion about understanding this “play force” across generations.